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Chapter 8 - The Myth of Armor

People look at men like me—men with thick shoulders, gray beards, grease under their nails, and leather vests covered in military and motorcycle patches—and they make a comforting assumption.

They assume we don't feel things the way normal people do.

They think the leather is armor. They think thirty years of fighting fires, carrying dead bodies out of ruins, riding through freezing storms, and living in harsh environments builds a thick, impenetrable callus over the human heart. They tell themselves that we are tough, stoic, crude creatures who are content with a cold beer, a loud engine, and a quiet room.

It makes it so much easier for them to leave us behind.

If they acknowledged that beneath the leather vest, beneath the calloused hands, and beneath the scarred skin beats the exact same fragile, terrifyingly vulnerable heart of any other sixty-seven-year-old father, they would have to face the cruelty of what they have done. They would have to acknowledge that they abandoned a man who would have laid his life down on the asphalt for them without a second thought.

So, they pretend the vest is armor. They pretend we don't break.

They don't see what happens in the dark when the shop lights are turned off.

They don't see me on a Tuesday night, standing in the middle of a cold, windowless garage, holding an old, faded baby shoe that I found tucked behind a box of air filters—a shoe that belonged to a three-year-old girl who used to kiss my cheek and call me her hero.

They don't see the way my chest physically spasms, a violent, suffocating contraction of muscle and bone that forces me down onto my knees onto the cold concrete floor.

They don't see the long, gray-bearded old man sitting in the dark beside a silent motorcycle, burying his face in an oil-stained shop rag so the neighbors won't hear him weeping like a mother who has just lost her child in a crowd.

I cry in the garage. I will not decorate that sentence. I will not dress it up in poetry or excuse it with poetic metaphors about military toughness or firefighter stoicism.

I sit on the cold floor and I weep until my ribs ache, until my throat feels like it has been scrubbed with sandpaper, until there are no more tears left in my eyes and my body is just dry-heaving in the dark.

I cry for Mac, who died in a basement while I lived. I cry for the young men I left in the high grass of a country three thousand miles away forty-five years ago.

But mostly, I cry for Sarah and Michael.

I cry for the little girl who wanted to ride to the moon on my Harley. I cry for the sixteen-year-old boy who screamed with joy when an old Ironhead engine came back to life in our driveway. I cry for the family dinners we will never have, the Thanksgiving toasts I will never give, the Christmas mornings I will spend sitting alone in a parked car watching shapes move behind double-paned glass.

The leather isn't armor. It never was. It's just leather. It keeps the wind off your skin when you're riding fifty miles an hour down a dark highway, but it doesn't do a damn thing against the cold that comes from inside your own bloodline.

I stand up slowly, my artificial knee popping loudly in the quiet space. I wipe my eyes with the back of my sleeve, leave the shop towel on the workbench, and turn off the overhead light.

The garage goes pitch black, save for the tiny, glowing red power indicator light on the battery charger attached to the Harley.

May you like

Ping.

The cooling metal of the bike makes its final, lonely sound in the dark.

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